All AVI media tips and tools for share

BeamBox Evolution R1 pico-projector offers two modes.  At its simplest, the pico-projector works as a basic A/V display, taking composite video and stereo audio input.  This will work with pretty much any standard source, whether a portable DVD player, camcorder or even a laptop with a suitable adapter. More interestingly, the R1 also has an onboard media player, turning it into a standalone system rather than one tethered to an external source.

Holding down the play/pause button boots up the media app, which offers a choice of Music, Video, Photo, eBook, Explorer and Settings. The GUI is basic but reasonably attractive, and hides a fair degree of functionality. Audio tracks can be organized by artist, album or genre, together with all tracks and playlists (the latter of which can be copied over to the R1, but not created on-device), with an on-screen equalizer animation, bitrate and ID3 details.  Controls include play/pause, track skip and fast-forward/rewind, together with volume.

It won’t rival the GUI of an iPod, then, but there’s a reasonable choice of codec support on offer.  Audio files can include MP3, WMA, WAV, APE, FLAC, AAC/AAC+ and MPEG1/2/2.5, while video choices cover AVI, MPEG1/2/4, 3GP, WMV9/VC1, ASF, RM/RMVB and FLV, with a maximum resolution of 640 x 480.  The R1 can’t deal with DRM files, not through the onboard player anyway, though if you plug in an external source that can handle them there’s no problem using the pico-projector to display.  Onboard storage is 1GB - though the media player occupies around 30MB of that - and the microSD slot will take up to 4GB  cards; we had to format our 2GB test card before the R1 would recognize it.  The R1’s mini-USB port lets it act as a mass storage device - mounting as two separate drives, one internal and one for the microSD - but there’s no support for video over USB.

Step into a darker room, though, and the R1 gets a whole lot more interesting. Projecting onto the ceiling, or the back of a door, is great for impromptu videos, with the stiff focus wheel showing a broad range of granular adjustment despite its limited travel.  Colors are surprisingly vibrant while blacks are, although not inky, better than you’d expect from a pico-projector. The 1W mono speaker, meanwhile, is good enough for sharing brief video clips though lacks strength in anything below the mid-range; happily there’s a 3.5mm socket for plugging in headphones or powered speakers.  It’s loud enough, though, to drown out the otherwise mildly intrusive fan noise, which is high-pitched and makes no adjustments no matter the temperature.

It is the mini projector that you can enjoy the videos with friends. To get more video source from YouTube and enjoy on BeamBox Evolution R1 pico-projector as AVI, you just need an easy flv converter.

Soure:Flashgear

The Elgato Turbo.264 HD has been available since March. The support to  1080p compatibility to the device makes it a small difference with a big impact comparing to original Turbo.264.

Like the original Turbo.264, Turbo264.HD is shaped like a USB thumbstick, and plugs into an available USB 2.0 port on the Mac. With it in place, H.264 video conversions can be accelerated. The device includes application software and a QuickTime component that helps to accelerate H.264 video exports produced by other applications. H.264, or Advanced Video Codec (AVC) is a broadly supported video standard that can be played back on the iPod, iPhone, modern game consoles, some smartphones, the Apple TV and other devices.

Converted files are compatible with the iPhone, iPod, Apple TV, Sony PSP and various other portable gadgets. Additional supported formats include AVI, QuickTime, WMV, MPEG-1, H.263, H.264, DV, raw VIDEO_TS and XviD.

The QuickTime Component bridges a connection between other video conversion apps and the H.264 HD; iMovie, for example, can export faster, as well as Elgato’s DVR software, EyeTV.

The software lets you preview, trim and batch-process videos, and includes nine presets including “iPod small” and “HD 1080p.”

System requirements call for Mac OS X 10.5.6 or later, Intel Core processor, 512MB RAM, built-in USB 2.0 port and QuickTime 7.6 or later.

You can drag and drop a video file into the application, and start conversion. It costs $150 now. If you look for an alternative solution with video conversion on Mac, you may install video converter for Mac with less than $50.

There are many gadgets on the market, but it seems a few with support to AVI. The iVO-Sound m1050 4GB portable media player from Geeks.com is one of hundreds – maybe thousands – of entertainment gadgets. One of the surprises is that it supports AVI. That’s probably a good thing, though, as the device plays music and video files with ease and is small enough to fit in just about any pocket.

Good: It’s cheap in price, yet it’s solidly built. The player’s got a nice brushed metal motif going and the buttons feel like they could take some abuse. For $45, it feels like it should cost more. The three-inch screen is surprisingly nice – very colorful and bright – and has a resolution of 400 x 240 in the 16:9 format. You can play videos back in their native format or the PMP will auto-stretch them to fill the screen.

The iVO-Sound isn’t short on features, either. You’ve got a more-than-capable music player, video player, image viewer, FM radio (with recording), voice recorder, and e-book reader. Battery life for music is rated at nine hours and video is rated at four hours. I was actually able to squeeze almost ten hours of music out of the PMP but video fell short of four hours by about 20 minutes at the lowest brightness setting. The lithium ion battery charges quickly.

Bad: The controls are a little difficult to get used to at first and the lack of dedicated volume buttons means that you’ll have to hit a toggle button on the top of the player if you want to control the volume. The track skip buttons serve as the volume buttons, which became a problem when I’d think I had the volume toggle selected but instead skipped out of whichever track I was listening to.

Format support is a bit limited, too, especially as it pertains to videos. Your standard DivX and XviD AVI files should work fine, but iPod-compatible MP4 files didn’t work. Music file support is limited to MP3, WMA, and WAV formats.

Recommendation: The market for this type of product shrinks smaller and smaller as smartphones and high-capacity microSD cards become more prevalent – your phone can probably do everything this player can do aside from the FM radio functions. But if you’re looking for a decent, inexpensive PMP for everyday use, then the $45 iVO-Sound m1050 isn’t a bad deal at all. If you find fantastic video online with your PC and want to put it as video or song on it, you can use FLV to AVI converter and enjoy them anytime anywhere.

Expansion of capture cards is the focus for ACUMEN in the first quarter. The range of Ai capture cards has increased triple; 4- channel (Ai-SC145, Ai-SC347), 8-channel (Ai-SC185, Ai-SC383, Ai-SC387) and 16-channle (Ai-SC165, Ai-SC363, Ai-SC367).

Ai-SC333 supports 32 cameras for playback, record and monitoring. Recording speed adjustment is in relation to the video resolution, from 7.5 / 6.25 to 15 / 12.5 (NTSC / PAL) frames per second with a fully loaded card.

External capture card Ai-BOX, its dimensions are just like a 2.5” mobile disk. Ai-BOX is able to handle video from 4 cameras via a USB 2.0 connected to computer; it is very convenient for individuals. In addition to the worktops, microscopes, and telescopes, Ai-BOX is able to export videos from anywhere the camera monitors.

All new products provide the function of cellular phone monitoring that allows you to broadcast videos to cellular phones connected to the internet. New capture cards support Windows XP, Windows Vista and the 7.0 Linux.

Compression technology H. 264 and MJPEG are both utilized in the process of video compression for Ai new capture cards. Files are saved in the format of AVI (Audio-Video-Interleaved); and allow to be played on any media players. Varied capture card models support the possibility of audio and video for different purposes.

Since 1996 ACUMEN Intercontinental Corp. is a Taiwanese manufacturer and supplier of reliable high technology video surveillance systems: cameras, video recorders, video capture cards, speed domes, monitors, lenses – all under the brand name Ai.

At the present time Acumen is one of the worldwide leaders in the security sector thanks to high rates of growth, wide range of production and implementation of innovative technologies.

- Over 10 years experience in the production of video surveillance systems.
- Over 200 models
- Production output exceeds 160 000 system a year
- Over 10 000 sq. m. of production and office facilities
- Components supplied from Japan
- Production according to the environmental standard RoHS
- Free delivery and custom service all over the world

You can get the output AVI to Flash for online sharing and presentations.

Calling the PSP version of Resistance a spinoff would not be fair to Sony Bend and the creators of this amazing game. It is, for all intents and purposes, a standalone title that stacks up favorably against its much bigger PS3 rivals in terms of action and gameplay. However, there are some ways in which it doesn’t’ quite satisfy our thirst for the kind of experience the more powerful PS3 can provide. The graphics are as good as we could ever hope for on a handheld system, but the designers have had to make compromises in other areas.

Multiplayer online play is also present, but the small selection of maps and gameplay modes feels incomplete, and players will likely grow bored sooner than they would with other, more complex multiplayer shooters, even on the PSP. In the single-player campaign, enemy AI consists of a few basic routines for advancing, taking cover, and running from side-to-side, rather than the more complex formations we are used to seeing in more recent console games.

The two-analog-stick configuration for modern controllers has made First and Third Person Shooters a viable staple on consoles. When dealing with just one stick, though, they’re still a bit tricky. Bend Studio developed a nifty solution with their Syphon Filter entries on the PSP: using the face buttons as the aiming interface, a job usually reserved for the right analog nub. Bend brought that same control scheme to Retribution, and while it is serviceable, it isn’t perfect. The controls don’t feel as natural, nor are they as precise as their console counterparts. The game implements an aim assist that compensate for these shortcomings, and it usually gets the job done. On the rare occasions that a more steely aim is required, the game becomes a bit unwieldy. One enemy type is nigh-unbeatable without a head-shot, which requires you to enter the games manual aiming mode and wrestle with the clumsy face-button scheme. With these enemies (which explode if they get too close) bearing swiftly down on you, precision aiming becomes a frustrating, often futile affair. Thankfully, the cover system that was so impressive in the demo still works just as beautifully, helping alleviate some of the pain brought on by the aiming issue. Bottom line: the controls are probably as good as we’re ever going to see under the circumstances, but they still aren’t ideal.

If you get the avi video for playing the game with your camera, you may convert avi to swf with the fancy player on your blog for sharing.